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Term Papers Regionalism Art

These works were figurative and narrative, returning back to an ideal of art-as-storytelling, rendered in precise detail.The American Regionalists celebrated familiar subjects in ways accessible for a general public, making their work popular among a broad range of audiences.

Don't forget to visit the artist overview pages of the artists that interest you.If we dealt largely with 'agrarian' subjects, it was because these were significant parts of our total American experience." Regionalism abated with the attitudes of international outreach that developed among the citizenry after World War II.Sources: Reece Summers, Curator, Great Plains Art Collection, Lincoln, Nebraska; "Phaidon's Dictionary of Twentieth Century Art".They rejected the styles and theories of modern art to embrace techniques and stories that were more connected to an American folk tradition and traditions of Old Master painting.Not all American Regionalism was clearly celebratory.Presented in three parts, the exhibition begins with a survey of noteworthy creations from 1867 through to the 1950s, featuring works by familiar and well-known local painters from London’s storied past including F. By the late 1960s, the movement became an object of interest for Canadian art critics, notably art historian Barry Lord, whose 1969 article acclaimed London as “the most important art centre in Canada and a model for artists working elsewhere, the site of ‘Canada’s first regional liberation front.’” Locally, Regionalism created the fertile ground from which post-secondary art programs at Fanshawe and Western sprang, and spurred the organization of activist ventures such as the establishment Canadian Artists Representation, the artist union which continues to organize and advocate on behalf of artists across Canada today.The exhibition concludes with notable works by contemporary artists that continue to capture and reflect on London, and the region, as the subject and inspiration for their work.Yet, with the rise of totalitarian governments in Europe, who used such realist and figurative art as propaganda, Regionalism came to be seen as politically problematic and retrogressive.It would be soundly rejected in the rise of Abstract Expressionism in the 1940s.The emergent Abstract Expressionism, which completely rejected Regionalist aesthetics (even though Jackson Pollock was a student of Thomas Hart Benton), would come to represent the American values of freedom and individuality in the 1940s.While certainly some artists, like Andrew Wyeth or Norman Rockwell, continued to work in a figurative and realist style, they were marginalized by the dominance of mid-century abstraction and not considered part of the Regionalist movement.


  1. Weimar's Others Art History, Alterity and Regionalism in Inter‐War Germany. Dorothy Price · Search for more papers by this author.

  2. The terms modernism and modern art are generally used to describe the succession of art movements that critics and historians have identified since the realism.

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